Penelope 25 Penelope 25
  • Penelope 1724
    • F. B. Conti
    • P. Pariati
    • Carnival opera
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    • Instrumentation
  • Penelope 2025
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Penelope 25 Penelope 25
  • Penelope 1724
    • F. B. Conti
    • P. Pariati
    • Carnival opera
    • Plot
    • Sources
    • Participants
    • Instrumentation
  • Penelope 2025
    • Project
    • Edition
    • Libretto text
    • Program notes
    • Team
    • Cast
    • Rehearsals
    • Workshops
  • Performances
    • Original version
    • Youth opera
    • Music education
  • Donate
    • Donate
    • Arts at the court
  • Contact

Penelope beyond borders: Report in "Servus, Srecno, Ciao"

From "Wienerisches Diarium" to a multimedial report

Emperor Charles VI and F. B. Conti would also have been pleased: In 2025, the Venice tour of PENELOPE 2025 was documented by the ORF camera team, while in 1724, the audience of the newspaper Wienerisches Diarium was provided with information concerning the plot and Penelope remained a local production for the carnival festivities in Vienna. A report in “Servus, Srecno, Ciao” provides insights into the transfer of the production to Venice and the cross-border collaboration between the two institutions. Students also share their experiences in an interview. We would like to thank Iris Hofmeister (ORF) and her team for this impressive review of the project.

https://kaernten.orf.at/tv/stories/3309559 

Next article: Baroque opera communicated: Forschungsforum 24.6.25 at GMPU Next

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